Photographs, Paintings or Drawings
Title: Shannon Fraser, Annie Fraser, and others
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 48
Notes: Shannon and Annie Fraser on left side.
Title: Deer grazing on chip yard, with Blecher house in background
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 72
Notes: This view of the Canoe Lake chip yard is very similar to Tom Thomson's photographs in the Library and Archives Canada, entitled "A northern mill-yard, I" and "A northern mill-yard, II".
Title: Tea Lake dam
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 85
Title: No. 90 train at Canoe Lake station
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 115
Notes: On left: Rose Thomas, Mrs. Hancock, Shannon Fraser in shadows behind them, Mrs Thomas on right (as identified by S. Bernard Shaw).
Title: Mark Robinson examines marks on tree
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 184
Title: Mowat Lodge
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 186
Notes: Mowat Lodge, how it appeared during the period Thomson was visiting Canoe Lake. The Lodge is where Thomson often stayed when he was not camping in the Park.
Title: Mowat Lodge
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 222
Notes: Mowat Lodge, seen across the water during the 1920s.
Title: Two men breaking a log jam, in Algonquin Park
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 383
Title: Annie Fraser, in front of Mowat Lodge fireplace
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 1016
Title: Logging white pine
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 1057
Title: Shannon Fraser, with "The Hearse"
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 3010
Title: Tom Thomson
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 3396
Notes: S. Bernard Shaw suggests this photo was taken about 1900 (1996, 92). Joan Murray suggests 1893 ("Chronology", Tom Thomson, 308).
Title: Gilmour jackladder, with work crew
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 1097
Notes: Gilmour & Company constructed a system of slides and jackladders. After floating logs through Joe and Canoe Lakes, and down the Oxtongue River to the Lake of Bays, the jackladders and slides allowed the lumber company to move logs over hills separating the Lake of Bays from Raven Lake, and Raven Lake from St. Nora Lake. From St. Nora Lake, the logs could be floated to Trenton, on Lake Ontario, where Gilmour and Co. operated mills. On the jackladder, logs would be pulled uphill on 'slide', then slid down the other side.
Title: Ranger's cabin, Achray, Grand Lake, Algonquin Park
Creator: Edward Godin
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 1132
Notes: Tom Thomson painted the "Out-Side-In" sign for Edward Godin's cabin at Achray, on Algonquin Park's Grand Lake. Thomson shared the cabin with Godin during the summer of 1916.
Title: Larry Dickson's cabin
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 2821
Title: Tom Thomson's parents, John and Margaret (Mathewson) Thomson
Creator: Unknown
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Collection or Fond: Blodwen Davies
Reference Number: C-027122
Title: Tom Thomson
Creator: Unknown
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Collection or Fond: Lawren Stewart Harris fonds
Reference Number: PA-121719, Box T2509
Title: Winifred Trainor
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Collection or Fond: Tom Thomson collection
Reference Number: PA-193567
Notes: Winifred Trainor (1884-1962), eldest daughter of Hugh Trainor, a foreman with the Huntsville Lumber Company, summered at Canoe Lake with her family. It was there she met Tom Thomson, probably in 1913. Some researchers have drawn attention to the rings on Trainor's 'wedding finger', arguing that their presence lends support to the idea Thomson and Trainor were engaged.
Title: Tom Thomson on Canoe Lake
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: William Colgate collection
Reference Number: F1066/I0010309
Title: Tom Thomson fishing
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: William Colgate collection
Reference Number: F 1066-6/I0010312
Notes: An iconic image of Thomson fishing below one of the dams created to help move lumber from lake to lake in Algonquin Park.
Title: George Rowe and group
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 5084
Notes: George Rowe, who worked as an Algonquin Park guide out of Mowat at the same time as Thomson was there, is in the back row, far left. Rowe was one of the men who brought Thomson's body in to shore upon its discovery in the lake.
Title: Mowat Lodge
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6927
Notes: This photo of Mowat Lodge dates from before 1920.
Title: Canoe Lake, seen from Mowat cemetery
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6932
Notes: Mowat Lodge is visible at far right.
Title: The Gilmour Company depot at Tea Lake
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 1093
Notes: This depot was the last point in the supply route for Gilmour Company logging camps in Algonquin Park.
Title: Canoe Lake station
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 2039
Title: Central Ontario School of Art interior, William Cruikshank instructor
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3-1 / I0010334
Notes: Tom Thomson likely took evening art classes taught by Cruickshank in 1907. At this time, Thomson was working at Grip Limited during the day.
Title: Tom Thomson at Lake Scugog
Creator: T. H. Marten
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Photograph. Gift of Margaret Murch.
Title: The Fisherman
Creator: Tom Thomson
Archive or Repository: Art Gallery of Alberta
Collection or Fond: Art Gallery of Alberta
Reference Number: 68.6.84
Notes: Oil on canvas, 51.3 x 56.5 cm. Gift of The Ernest E. Poole Foundation, 1975.
Title: Autumn Foliage
Creator: Tom Thomson
Archive or Repository: Art Gallery of Alberta
Collection or Fond: Art Gallery of Alberta Collection
Reference Number: 54.1
Notes: Oil on panel, 21.4 x 26.8 cm. Gift of Mr. R.A. Laidlaw, Toronto, 1954.
Title: The Jack Pine
Creator: Tom Thomson
Archive or Repository: National Gallery of Canada, Ottawa
Notes: Photo � National Gallery of Canada.
Title: Tom Thomson and friends
Creator: Unknown
Archive or Repository: Archives of Ontario
Reference Number: S 1927
Title: Building the Ottawa, Arnprior and Parry Sound Railway through the southeast section of Algonquin Park
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 128
Title: Hayes Fishing Party
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 63
Title: A member of Hayes fishing party with aboriginal guides
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 587
Title: King Street West gallery
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3-8 / I0010335
Title: King Street West gallery
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3-8 / I0010336
Title: Ontario Society of Artists Gallery, King Street West
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3-8 / I0010341
Title: Gilmour and Co. sawmills at Canoe Lake, 1903
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 7108
Title: Louise (Thomson) Henry, Minnie Thomson, Ada Scott and Ida Scott
Creator: E. Tucker
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: PA-194809
Notes: Front row, left to right: Louise (Thomson) Henry (1873-1971), Minnie Thomson (1875-1960). Back row, left to right: Ada Scott, and her sister, Ida Scott, both of Leith, Ontario.
Title: Dominion of Canada Industrial Exhibition Art Gallery
Creator: Galbraith Photos, Toronto
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3 / I00101329
Notes: This scene gives a sense for the type of painting that was admired in Toronto about the time when Tom Thomson returned to the city from Seattle.
Title: Dominion of Canada Industrial Exhibition Art Gallery
Creator: Galbraith Photo Co., Toronto
Archive or Repository: Archives of Ontario
Collection or Fond: Ontario Society of Artists fonds
Reference Number: F 1140-7-0-3 / I0010330
Title: St. Thomas Church, St. Catharines, Ontario
Creator: Tom Thomson
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Ink and watercolour on paper. 43 x 28 cm. On loan from the Ontario Heritage Foundation and the Estate of Thomas James Gibson Henry.
Title: Mark Robinson (left) and Joseph Adams (right)
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 199
Notes: Joseph Adams (right) was a British author who included a description of his time fishing with Mark Robinson (left) in his book "Ten Thousand Miles Through Canada", published in 1912.
Title: Tom Thomson as a graphic artist at Grip Limited
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: William Colgate collection
Reference Number: F 1066-6/I0010310
Notes: Grip was a commercial design firm Thomson worked at in Toronto. J. E. H. Macdonald is in background, at end of row. A. H. Robson is likely the man seated on the left side of the image.
Title: Evening, Lake Scugog
Creator: Tom Thomson
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Oil on wood. 23 x 31 cm. Gift of Judge and Mrs. F. W. Olmstead in memory of Mrs. Mary Olmstead.
Title: The grave of James Watson
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Collection or Fond: Tom Thomson collection
Reference Number: e002343707
Notes: Photo of a fenced-in monument (rock) erected to the memory of James Watson (1876-1897), the first white person to be buried at Canoe Lake, in Algonquin Park. Watson was an employee of the Gilmour Lumber Company. His grave is located about 8.5 metres from the place where Tom Thomson was temporarily buried on July 17, 1917.
Title: An unidentified man II
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: e000945379
Notes: The person depicted in this photo is believed to be either H.B. Jackson or W.S. Broadhead. Both men were early Toronto friends of Tom Thomson. Both men accompanied Thomson on canoe trips through 'New Ontario' in 1912.
Title: Dr. J. M McRuer, I
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: e002343708
Notes: Dennis Reid writes: (Tom) "Thomson first met John M. McRuer shortly after arriving in Toronto from Seattle — probably in 1905 — and before McRuer's graduation from the University of Toronto in 1907. They remained close friends until Dr. McRuer's death in June 1917, just before Thomson's drowning. Dr. McRuer practised medicine in Huntsville, a small town to the west of Algonquin Park, from 1907 until late in 1913. He had by then become seriously ill with tuberculosis and moved to Denver, Colorado, where he died." (See Dennis Reid "Photographs By Tom Thomson", "National Gallery of Canada Bulletin" 16/1970, pgs. 8-9.)
Title: Canoeist's camp
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: PA-193562
Notes: This photo may have been taken by Thomson on his trip through the Mississagi (Provincial) Forest Reserve, Northern Ontario, in summer 1912. The negative has been damaged, explaining the distorted nature of the image.
Title: Canoe Lake, Algonquin Park
Creator: Tom Thomson
Archive or Repository: Macdonald Stewart Art Centre
Collection or Fond: University of Guelph Collection
Reference Number: MSAC-UG989.097
Notes: Oil on canvas. Gift of Stewart and Letty Bennett, donated by the Ontario Heritage Foundation to the University of Guelph, 1988.
Title: A northern mill-yard, II
Creator: Tom Thomson
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: PA-193569
Notes: Mowat Lodge, which (Tom) Thomson used as his headquarters, while in Algonquin Park, faced the old Gilmour (Lumber Company) mill-yard on Canoe Lake. This is likely a view of the mill-yard. The man seated on the stump is thought to be Tom Wattie, an Algonquin Park ranger.
Title: Tom Thomson
Creator: Blair Laing
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: PA-125406
Title: The Alligator, Algonquin Park
Creator: Tom Thomson
Archive or Repository: Macdonald Stewart Art Centre
Collection or Fond: University of Guelph Collection
Reference Number: MSAC UG989.096
Notes: "The Alligator" was a unique type of boat that worked in the Park. It was powered by side-mounted steamwheels and was used to haul logs. The name derives from the fact that the vessel also had a winch, which when connected to a sturdy tree, could be used to draw the vessel over land. This painting, oil on book-binder's board, is a gift of Stewart and Letty Bennett, donated by the Ontario Heritage Foundation to the University of Guelph, 1988.
Title: Soft Maple in Autumn
Creator: Tom Thomson
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Oil on plywood. 25 x 15 cm. Gift of Louise (Thomson) Henry, sister of Tom Thomson.
Title: Eastbound train pulls into Canoe Lake train station
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 28
Notes: Grand Trunk Railways train No. 90, eastbound from Parry Sound to Ottawa, pulls into Canoe Lake Station.
Title: Fraser's Lodge (Mowat Lodge)
Creator: Tom Thomson
Archive or Repository: Art Gallery of Alberta
Collection or Fond: Art Gallery of Alberta collection
Reference Number: 77.30
Notes: Oil on wood, 21.9 x 27 cm. Gift of Mrs. Gertrude Poole, 1977.
Title: In the Northland
Creator: Tom Thomson
Archive or Repository: The Montreal Museum of Fine Arts
Collection or Fond: The Montreal Museum of Fine Arts
Reference Number: 1922.179
Notes: Oil on canvas, 101.7 X 114.5 cm. Photo : The Montreal Museum of Fine Arts, Denis Farley. Gift of the Friends of the Montreal Museum of Fine Arts.
Title: Tom Thomson, a member of the Group of Seven, shaving after coming out of the woods with a beard
Creator: Unknown [Ed Godin?]
Archive or Repository: Library and Archives Canada/Bibliotheque et Archives Canada
Reference Number: C-007900
Notes: Library and Archives Canada notes this photo was created at Grand Lake. Achray is located on Grand Lake, which was where Ed Godin was working as a Park Ranger in 1916. Thomson would stay with Godin at times during the summer of 1916, painting a sign to hang over the entrance to Godin's shack. Note: The title this image is filed under in Library and Archives Canada is incorrect. Thomson was never a member of the Group of Seven, which was formed in 1920, three years after Thomson's death.
Title: The Drive
Creator: Tom Thomson
Archive or Repository: Macdonald Stewart Art Centre
Collection or Fond: University of Guelph Collection
Reference Number: MSAC UG900.134
Notes: This painting depicts men 'piking' logs through a chute in a dam. "The Drive" may be an unfinished, large work of Thomson's, or he may have intentionally left significant areas of the wood he was painting on showing through. This work is an Ontario Agricultural College purchase with funds raised by students, faculty and staff, 1926.
Title: Spring Lake (Rocks and Water)
Creator: Tom Thomson
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Oil on board. 21.5 x 27 cm. Purchased by the Lyceum Club and Women's Art Association from the Estate of Tom Thomson, gift to the Gallery, 1967. This image is very similar to a photograph taken by Thomson of the Scarborough bluffs, now in the Tom Thomson fonds of the Library and Archives Canada.
Title: Early Snow
Creator: Tom Thomson
Archive or Repository: The Winnipeg Art Gallery
Collection or Fond: Collection of The Winnipeg Art Gallery
Reference Number: Accession #2000-1
Notes: Oil on canvas, 45.5 x 45.5 cm. Photograph: Ernest Mayer, The Winnipeg Art Gallery. Acquired with the assistance of a grant from the Canadian Government, approved by the Minister of Canadian Heritage under the terms of the Cultural Property Export and Import Act, and with contributions by The Winnipeg Foundation, The Thomas Sill Foundation Inc., The Winnipeg Art Gallery Foundation Inc., Mr. and Mrs. G. B. Wiswell Fund, DeFehr Foundation Inc., Loch and Mayberry Fine Art Inc, and several anonymous donors.
Title: Chill November
Creator: Tom Thomson
Archive or Repository: Gallery Lambton
Collection or Fond: Gallery Lambton
Notes: Oil on canvas, 36" x 42"/91.4 cm x 106.7 cm. Gift of the Sarnia Women's Conservation Art Association, 1956.
Title: Going to Canoe Lake station for the mail
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 2500
Notes: The lady seated in the sled is Daphne Crombie, who would later confess some provocative information she claimed Annie Fraser had told her about Tom Thomson and Winnifred Trainor's relationship. Mowat Lodge, operated by the Frasers, can be seen in the background.
Title: Woods in Winter
Creator: Tom Thomson
Archive or Repository: Tom Thomson Art Gallery Permanent Collection
Notes: Oil on wood. 13 x 18 cm. Gift of Louise (Thomson) Henry, sister of Tom Thomson.
Title: Algonquin Park Guide's License — Tom Thomson
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 185
Notes: Original document is held by Library and Archives Canada.
Title: Warrant to Bury After A View
Creator: A. E. Ranney, M. D.
Archive or Repository: Archives of Ontario
Reference Number: I0029100
Notes: This form was filled out by Dr. Ranney, the coroner presiding over the Thomson inquest. It indicates that an inquest had been held into Tom Thomson's death, and that Ranney gave permission for Thomson's corpse to be buried. The statement made on the form is not entirely true, however. By the time Ranney arrived in Mowat, Thomson's body had already been buried. The doctor never actually viewed Thomson's remains.
Title: Coroner's warrant to take possession of body
Creator: A. E. Ranney, M. D.
Archive or Repository: Archives of Ontario
Reference Number: I0029101
Notes: This form, signed by Dr. Ranney, the Coroner presiding over the Thomson case, gave permission for the body of Thomson to be released to the Chief Constable of the District of Nipissing. By the time Ranney signed this document, however, Thomson's corpse had already been laid to rest in a grave in Mowat cemetery.
Title: For What?
Creator: Fred Varley
Archive or Repository: Canadian War Museum
Collection or Fond: Beaverbrook Collection of War Art
Reference Number: 19710261-0770
Notes: Varley's painting depicts a muddy, broken field, underneath a heavy sky. The foreground is dominated by a wagon filled with dead soldiers partially covered by a tarp or blanket. Beside it a trio of soldiers dig graves in a lot already filled with crosses. Varley observed, "We’d be healthier to forget [the war], & that we never can. We are forever tainted with its abortiveness & its cruel drama." Note the colour bars laid underneath the image when it was photographed. These colour bars help enable printers to correctly reproduce the colours in the image.
Title: Gas Attack, Li�vin
Creator: A. Y. Jackson
Archive or Repository: Canadian War Museum
Collection or Fond: Beaverbrook Collection of War Art
Reference Number: 19710261-0179
Notes: Jackson comments, ""I went . . . one night to see a gas attack we made on the German lines. It was like a wonderful display of fireworks, with our clouds of gas and the German flares and rockets of all colours." His exuberance does not seem matched by the colours in the painting, with its dull browns and blacks broken by small flashes of colour on the horizon. These colours evoke the broken landscape, and the painting suggests how any sign of life on the front line of battle — even grass and trees — had been destroyed over months of fighting. Note the colour bars laid underneath the image when it was photographed. These colour bars help enable printers to correctly reproduce the colours in the image.
Title: Screened Road ‘A’
Creator: A.Y. Jackson
Archive or Repository: Canadian War Museum
Collection or Fond: Beaverbrook Collection of War Art
Reference Number: 19710261-0170
Notes: Jackson captures a scene behind the front lines of battle, showing a road filled with soldiers screened by camoflage netting to obscure them from enemy eyes. Enemy 'spotters' might have used airplanes or dirigibles to get a "birds' eye view" of battlefields, as well of enemy positions behind the front line. Such observations would help in aspects of battle planning such as targetting artillery fire. Note the colour bars laid underneath the image when it was photographed. These colour bars help enable printers to correctly reproduce the colours in the image.
Title: Dead Horse and Rider in a Trench
Creator: Maurice Cullen
Archive or Repository: Canadian War Museum
Collection or Fond: Beaverbrook Collection of War Art
Reference Number: 19710261-0126
Notes: Cullen places the casualties of war in a torn landscape divided by barbed wire. The narrow selection of colours and rough brushwork help create a sense of claustrophobia, nervousness, and sadness. Cullen's grim scene evokes the horrible images that front line soldiers often encountered. During the First World War, much of the army depended on horses to haul most goods (from food to weapons), and to provide quick mobility for messengers. In the midst of war, there was less time to bury dead animals than even the overwhelming numbers of human corpses. Note the colour bars laid underneath the image when it was photographed. These colour bars help enable printers to correctly reproduce the colours in the image.
Title: Canoe Lake station
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 5905
Notes: Looking west towards Canoe Lake station.
Title: Tom Thomson studio (exterior), Toronto
Creator: Unknown
Archive or Repository: Archives of Ontario
Collection or Fond: William Colgate collection
Reference Number: F1066/I0010308.jpg
Notes: This photograph gives a sense of the shack Tom Thomson used as a studio in Toronto. The shack was located adjacent to the studio building Dr. James MacCallum and Lawren Harris erected on Severn Street.
Title: Leonard Gibson digging at Mowat cemetery site
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6754
Notes: This dig is likely just outside the cemetery fence (as indicated by the horizontal backer boards being on the other side of the vertical fence boards). In his 1970 book, "The Tom Thomson Mystery", William Little does not provide the exact date his group dug at the Mowat cemetery site. His narrative of the events, along with reports in the "Globe and Mail" and "Toronto Star", place the likely date of the dig as Sunday, September 30.
Title: Jack Eastaugh digging at Mowat cemetery site
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6743
Notes: The coniferous tree branch protuding into the shot about the middle of the left side of the frame identifies this excavation as being the same one seen in APMA 6738. In his 1970 book, "The Tom Thomson Mystery", William Little does not provide the exact date his group dug at the Mowat cemetery site. His narrative of the events, along with reports in the "Globe and Mail" and "Toronto Star", place the likely date of the dig as Sunday, September 30.
Title: Refilling the grave
Creator: Unknown [Dr. Harry Ebbs?]
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6738
Notes: From left to right: Jack Eastaugh, William Little, Leonard Gibson, Frank Braucht. In his 1970 book, "The Tom Thomson Mystery", William Little does not provide the exact date his group dug at the Mowat cemetery site. His narrative of the events, along with reports in the "Globe and Mail" and "Toronto Star", place the likely date of the dig as Sunday, September 30.
Title: Refilling the grave
Creator: Unknown [Dr. Harry Ebbs?]
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6739
Notes: Left to right: Leonard Gibson, William Little, Frank Braucht, Jack Eastaugh. APM records identify this photo as "Excavating the grave." The dispersion of soil, and the presence of an unknown photographer (Dr. Harry Ebbs?) suggests this photo documents the temporary refilling of the grave site. In his 1970 book, "The Tom Thomson Mystery", William Little does not provide the exact date his group dug at the Mowat cemetery site. His narrative of the events, along with reports in the "Globe and Mail" and "Toronto Star", place the likely date of the dig as Sunday, September 30.
Title: Skull exhumed from Mowat cemetery site
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 3394
Notes: Under the supervision of Dr. Noble Sharpe, this skull was exhumed from the Mowat cemetery site burial discovered days before by William Little and his friends.
Title: Dr. Harry Ebbs sifts soil at Mowat cemetery site exhumation
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 6736
Title: Aerial view of Potter Creek, old mill site, and Canoe Lake
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 5030
Notes: An aerial view of the long-abandoned Gilmour and Co. mill site along Potter Creek, with Canoe Lake visible in the distance.
Title: Remains of the abandoned Gilmour and Co. sawmill along Potter Creek
Creator: Unknown
Archive or Repository: Algonquin Park Archives
Reference Number: APMA 5888
Title: Mark Robinson's Daily journal, July 18, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal, July 17, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal, July 16, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Tom Thomson Memorial Plaque
Creator: Gregory Klages
Archive or Repository: Leith Church, Leith, Ontario
Title: Headstone for Tom Thomson
Creator: Gregory Klages
Archive or Repository: Leith Church cemetery, Leith, Ontario
Title: Plaque, Tom Thomson Memorial Cairn, Hayhurst Point, Canoe Lake, Algonquin Park
Creator: Ben Greisman
Title: Mark Robinson's Daily journal, May 18, 1912
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal, April 28, 1915
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal for July 30 & 31, 1915
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal, May 14, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal for June 30, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal for August 11, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: Mark Robinson's Daily journal for August 13, 1917
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.
Title: 1917 Calendar, Mark Robinson Daily journal
Creator: Gregory Klages
Archive or Repository: Trent University Archives
Collection or Fond: Addison Family fonds
Reference Number: 97-011
Notes: Reproduced with kind permission of Bill and Edward Addison, and Trent University Archives.